- #Logix pro x arppegiator how to
- #Logix pro x arppegiator update
- #Logix pro x arppegiator professional
In our Logic Pro Tips series, MusicTech’s Logic expert Jono Buchanan breaks down music production on Apple’s professional DAW.
#Logix pro x arppegiator how to
Once you’ve transformed your chord into a beautiful arpeggio, you’ll learn how to use Grid mode to create short sequences. You’ll learn how to manipulate direction, rate, variation and more. In this week’s Logic Pro Tips video, Jono Buchanan shows you the ins and outs of the device to provide you with a solid understanding of its power. Auto: Up or down, depending on whether the second chord. Up/Down: Up and down highest and lowest notes repeat. You can choose between the following settings: Up: Lowest note to highest note. Logic Pro X‘s Arpeggiator MIDI effect is a quick way to achieve ascending and descending sequences from a few notes. Arpeggiators have the following parameters: Direction pop-up menu: Determines the direction of the arpeggiated chord. I like also a lot the shorter tutorials Jono Buchanan have on Logic Pro on the MusicTech site.Sometimes referred to as a broken chord, an arpeggio is a great way to transform a chord into a more interesting, rhythmic part. In the Arpeggiator pop-up menu in Logic Pro, do any of the following: Choose Note Order, then choose the direction of arpeggiated notes from the submenu. Guildhall School of Music & Drama, one in two parts on Logic Pro and the other on Film Scoring with Logic Pro you'll find them on Youtube. For exemple, initially i tried to rebuild my exact Cubase workflow with logic (like working with three virtual screen, main window, plugins and mixer), to finally find out that way of working was useful with Cubase (and his huge mixer windows) but it did not made sense anymore with Logic, where i find i can work better with a single window layout.įinally, training: i followed (i am following) some tutorial on askaudio (because i have a subscription there), but probably the best i found are the two Logic based master classes by Jono Buchanan from Ĭoming to practical advise: try to approach things the Logic way put aside the way you where doing things on Cubase, and find the most natural ways to do those things in Logic then re-evaluate both ways and chose the best. With respect to modern editors is far from intuitive, and complex, but is hugely powerful, expecially considering emacs-lisp but if you use it every day, 8 hour a day, complexity is no more a problem i have emacs keybindings in my fingers firmware. For IT guys, i'll make an exemple i use emacs 8 hours a day, and i have been using emacs like that for around 35 years. I am not a professional user, i am not even a daily user coming back to Cubase after a couple of weeks or more was always a pain : the power of Cubase it show up in front of your face as complexity also in many ways the UI was not completely Mac-Like, you don't zoom with a pinch gesture etc for exemple, in how many places and different ways can you edit a track equalisation ? I counted 5, but i am not sure.Īgain this is not bad or good for a professional, using Cubase every day, having choices is important it allows to develop your specific workflow and optimise your way or working.īut, and this is very personal, i find Logic more intuitive, linear, not using it every day.
Not that Logic is better than Cubase, but a number of things make me more at home. I have been a Pro24 user on the atari, and followed the whole Cubase history up to Cubase 10.5, but i al very happy for the switch. I am a composer, using VIs and recording only hardware MIDI instruments.
#Logix pro x arppegiator update
I switched from Cubase to Logic last year the original reason was money (avoid the yearly update cost) and the dongle, because moving to a portable set up (i think this specific problem was solved in Cubase 11, i am not sure. Really handy if you have several old projects with half baked ideas that could fit well with your current project. Remember to scroll to the right when selecting the tick boxes as automation, I/O etc are there. You can then select any track, it's plugin, automation and import it in. It might look a bit daunting at first but it's very easy to navigate. This will bring up the Arpeggiator plugin user interface.
You then get a browser within Logic to every track, tempo, notes etc of that project. Now above the ES2 instrument tab on the channel strip, click on the MIDI FX box and choose the Arpeggiator.
You can pick an existing project from the next window. I use it often for non template stuff like synths that have a strew of fx added.Īnother good one is File - Import - Logic projects. Next time you add a track, click the top icon (will be called Settings now) and you'll see that folder in the list with the preset. If you often create new tracks that have the same instrument, fx & eq etc every time, then once done, click the top icon with the instruments name, choose 'Save Channel Strip Setting As.' Some other tips maybe, don't want to teach you to suck eggs either: And I agree with above, the babylonwaves are great and a huge time saver.